8. Daniel Dempsey was Giorgio

 

Giorgio, played by Daniel Dempsey, is the tallish, thin boy, about 14, in the ripped russet-striped shirt and long trousers. He gets a closeup as a lookout, letting out one of the gang's long bird-call warning whistles. He's one of the gunners in the back of the truck as it barrels through Reanoto, on the driver's side next to Dino. He's one of the four boys atop the Della Norte dam and is the one who informs Turner of the fate of their comrade. He also has the thankless job of being made to pee in front of a sentry (although he doesn't have to!) a moment that drew a roar of laughter from the entire movie theater.

In many scenes, Giorgio can be seen just behind Dino, and to his left. Certainly with their thin faces and light hair there's a resemblance: perhaps they were intended to be brothers (or maybe he was just a loyal follower). Like John Fordyce, Dempsey was American. There's Irish in his eyes and the shape of his nose. He's often seen in close-up and gets several important lines, including: "We wouldn't have gone through with it," which serves to redeem the gang for their savage behavior in the cave a few hours before. 

Always close to Dino

 "Giorgio" was originally conceived to be a small boy. In the Michael Avallone based-on-the-screenplay book, he is the child who flags down the German truck, Bianca tied up by his side. This scene went to Carlo in the film. Avallone describes him in the cave: Little Giorgio was pitiful with a submachine gun cradled in his thin arms. It is he, and not Carlo, who begs to come along because he knows all the whistle signals.  "We wouldn't have gone through with it," was originally Tekko's line. 

***

1980: As a sixth-grader, I was obsessed with Giorgio -- but not in the expected way. I had a crush, and that was Tekko; Giorgio was my anti-crush. I drew him in the margins of my school notebooks and turned him into a monster of sorts. I guess his ranginess, his obvious mid-adolescence and the mock-peeing made me uneasy. 

2023: Daniel Dempsey is the only one of the 15 boys I haven't managed to find on-line. I have no idea how he came to be in Hornet's Nest and what he did afterwards.

***

Text © 2023 by Lakambini Sitoy

Screenshots from Hornet's Nest, United Artists, 1970.

NEXT: Franco.

TO COME: The action boys, "Painted faces and long hair"

7. Daniel Keller was Tekko

THE two young boys stroll up the road towards the armed German sentries, their faces relaxed and guileless. As they reach the men, the boy in stripes says, "Hey, capitano, give us a sigaretta." The audience erupts in laughter. It's an experience that was universal for boys throughout the 60s and 70s -- cadging a smoke off mock-severe adults.

Nearly everyone who has seen or written about Hornet's Nest knows this boy as "Paolo". It's what Captain Turner called him:  "Paolo, Carlo, do your stuff".  It's a lovely name and it suits him and it goes perfectly with "Carlo." But this boy wasn't Paolo. He was Tekko.

Tekko is easy to spot throughout the movie. He has long straight brown hair and wears faded brown shorts, sneakers and that grubby striped t-shirt. He speaks his numerous lines in a high clear voice and an accent that is part American and part Italian, breaking in on the knot of boys around Turner to warn them of trucks across the river, and querying Aldo about his adventure with the girl in Venice. He's the kid who stumbles (or is shoved) while carrying a rucksack of dynamite, triggering a confrontation between Turner and Aldo and the erosion of Aldo's authority. In the truck scene, he's on the driver's side, between Giorgio and Franco. He's one of the six boys who strip down to their skivvies (or less) to splash around and taunt the guards atop the dam. He's in two of the movie posters as well.

Tekko enables things to happen, facilitating action or confrontation between main characters. Towards the end of the movie, the need to drive the plot through dialogue is lessened and he merges with the group.

In the first iteration of the screenplay (and the Avallone novelization), he is everywhere: He gets special mention in the would-be rape, redeems the boys the following morning by claiming that they wouldn’t have gone through with it, distracts the guards by swapping strawberries for cigarettes, drives the truck through Reanoto while Turner throws the hand grenades, and is a demolition swimmer. All that and he's twelve.  

***

1969: Tekko was played by Daniel Keller, a 14-year old American originally from New York. He'd celebrated his bar mitzvah the year before (the venue was the Great Synagogue in Rome) and was a student at the American Overseas School in Rome when he and some schoolmates were interviewed for a role in the film. The production, he told me, was looking for native speakers of American English. He'd had extensive work dubbing Italian movie lines into English for international release, though he says this was not related to his being cast.

Publicity shot of Daniel Keller by Claudio Patriarca, 1969

1980-81: I had a big crush on this boy when I was 11 and 12. I would draw him in my school notebooks and write stories featuring him (who I called "Paolo"). Part of the reason may have been his look -- with the straight hair and long oval face he stood out from the others. And part of it must have been that mischievous quality, that vitality. And the smile. In the close-ups, the gang look sad, or hard-eyed and dead serious, or they are laughing and jeering at the enemy. Tekko is the only boy who gets to smile.

I believed without question that the actor playing Tekko was Italian. My sister and I even gave him an appropriate name in our make-up world: Stefano Sigaretto. (We saw Hornet's Nest in a theater and didn't catch the names of anyone in the cast). Daniel's ancestors, however, can be traced to Ukraine, Poland and Romania. So he expanded the visual definition of "Italian" to my young mind. Nationality after all is not represented by mono-ethnicity, nor a single look.

*** 

I found Dan's website in late 2022, and to my great delight have been corresponding with him. Our emails can be found on the Il Vespaio page of his website: https://dan-keller.com/photos/1969-Vespaio/

*** 

Tekko is "Paolo" in the Spanish dub of the film as well.  Even Dan doesn't know how this happened: 

"(Rock Hudson) was probably reciting lines from a script that was on paper and not up to date. In those days, the word processor was a typewriter." (Email of December 30, D. Keller to L. Sitoy, on https://dan-keller.com/photos/1969-Vespaio/ )

See also: 

https://www.dan-keller.com/photos/2014-05-Romania+Ukraine/

Keller family in Rome

Below is a 1969 article in The Forum, the student newspaper of Notre Dame International School in Rome:

Text © 2023 by Lakambini Sitoy

Screenshots from Hornet's Nest, United Artists, 1970. Publicity headshot and scan of student paper article courtesy of D. Keller.

Earlier: Why Hornet's Nest? Why only now?

To come: Poppies, what a call sheet tells you

6. Mauro Gravina was Carlo

 

Mauro Gravina played Carlo. Carlo is one of the smaller boys, but yearns to be part of the action. In the beginning he has to beg Aldo to let him come along to find a doctor to treat Turner's injuries, demonstrating that he knows all the bird calls and whistles the gang uses to alert one another of approaching danger. Silvio shoves him in the chest: "You're too young, Carlo." But come along Carlo does, and as the movie progresses he sees more and more action, memorably pulling pins out of hand grenades and passing them up for Turner to lob at German soldiers.

It's the ones we are to sympathise with who are the most angelic, so with his large wide-set eyes, rosebud lips and soft dark curls, Carlo tugs at our heartstrings as we follow him all the way to the top of the Della Norte dam.  

***

Carlo's role is a major one, but it was not originally so. In the novel by Michael Avallone, clearly based on an earlier draft of the screenplay and published in 1970 to tie in with the film's release, Carlo is 12, one of the "older boys," and apart from some lines when the boys retrieve the unconscious Turner, and the crucial role he plays in the firefight atop the dam, he is a background presence. The job of flagging down the German truck before the attack on Reanoto goes to a small boy called Giorgio. And it is Turner who pulls the grenades out of a bag, arms them and throws them, as Tekko, another 12-year-old, drives the truck. The reader gets the notion that this Carlo is expendable. Carlo does, however, get to cut the phone wires, leaving the Germans in Reanoto unable to call for help, a scene that is not in the movie.

***

Mauro Gravina, born 1957, was 12 at the time of filming, and Hornet's Nest was his second screen role. He has achieved considerable success in Italy's dubbing industry, where voice actors are stars in their own right.  

Text © 2023 by Lakambini Sitoy

Screenshots from Hornet's Nest 

5. John Fordyce was Dino

 

DINO is the oldest and the tallest, blond-haired, blue-eyed and with a perpetual set to the jaw. It is as though he has to constantly restrain himself from throwing a punch at Aldo, with whom he frequently shares the screen. He is older brother to Mario and Maria and appears to have a close or familial connection with Giorgio (Daniel Dempsey) who is often (albeit unobtrusively) by his side. 

He is the cool-headed check to the mercurial Aldo. He is disgusted by the attempted rape and tells Aldo so, no doubt distancing himself from the role he played in it. He sabotages Aldo’s tale of the girl in Venice by referring to a fact they both know. The two boys appear to go a long way back; perhaps he is familiar with Aldo’s ticks and knows the leader’s tipping point, as well as his own.

He is not Aldo’s second in command. Their relationship is too complicated for that. Aldo speaks to him harshly (as he does to Luigi, Silvio, Tekko, Carlo and undoubtedly the rest) but never entrusts charge of the group to him. Aldo is annoyed when Dino receives a compliment from Turner for his scouting skills: it’s implied that Turner prefers to do business with the more mature and reliable teenager. Dino is Turner's choice for his second-in-command. 

Perhaps Dino knows Aldo too well to attempt to gain authority over the gang. They have guns, and Aldo has his loyal followers among the bigger boys. Dino, who has family that will need looking after, has a lot to lose should things go wrong. 

***

Here’s an excerpt of a New York Times article by Alfred Friendly Jr., dated Feb. 1, 1970 (“Mama Mia! Rome Is No Place to Be a Movie Star”):

… John Fordyce, on the other hand, seems to be making it. A 19‐year‐old American with a shag of blond hair, a gleam of even teeth, a lithe, athletic build and a minimal capacity for introspection, John has the advantage of having lived for years in Rome and of knowing the territory. He was “discovered” in 1967 at the chic, free‐form swimming pool of the Parco Dei Principi Hotel and sent off to Yugoslavia for a screen test and then the lead role in director Andrezej Wajda's “Gates of Paradise,” a still unreleased success at film festivals in Berlin and San Francisco.

John's next break came last year, as a result of his friendship with a chauffeur who often drives visiting film people. “I walked into the Colony Restaurant on the Via. Veneto, and my friend introduced me to the director he was driving that day and gave me a big build‐up as an actor.” He soon had a supporting role as the leader of a band of war orphans in a Rock Hudson‐Sylva Koscina movie called “The Hornet's Nest.”

John recently signed with the William Morris Agency and has four lines and fourth billing in a low‐budget Warner Brothers film called “Invasion,” which is being made at Cinecitta. On the set the other day he reflected, “I like fantasy. I always wanted to be Tarzan when I was a little boy. The best part in ‘The Hornet's Nest’ for me is where we kids get hold of machine guns and mow down about a thousand Germans.”

He is serious about being an actor, studies Stanislayski without yet understanding all of it and is a patient watcher of everything that goes on around him. About starting a film career in Italy, he is philosophical. “If they like your character here, you'll do fine, but it's not your talent that counts. That's where I'm lucky, because I was sort of brought up with these people. There are so many great actors here who can't get anywhere and a lot of bad ones doing really well. I haven't really had any experience, but here I am, working when others aren't.”

https://www.nytimes.com/1970/02/01/archives/mama-mia-rome-is-no-place-to-be-a-movie-star-rome-no-place-to-be-a.html

4. Mark Colleano was Aldo

 

Mark Colleano plays Aldo, the leader of the gang of orphans. Early on Aldo is established as top dog, snapping at the younger boys, slinging Captain von Hecht's rifle proprietarily over his shoulder and ambling over to the knot of seated boys to take a couple of puffs off the cigarette Silvio is smoking. 

That he is violent and a loose cannon becomes clearer when he smacks little Carlo across the face to get him to produce real tears and persuade the doctor Bianca to come and help Carlo's ailing "mother."

Aldo is suffering the effects of violence as well, and is perhaps the most sensitive, and certainly the most high-strung, of the boys. 

 

*** 

Text © 2023 by Lakambini Sitoy

Screenshots from Hornet's Nest 

To come: John Fordyce as Dino, Valerio Colombaioni as Arturo, "controlled explosions".

3. Critical reception, posters

Critical reactions to Hornet's Nest were negative or, at best, lukewarm.  

There's a capsule review that my sister and I found in a magazine at the Silliman University library -- Parents I think it was. I no longer have the notebook in which we wrote it down, but if memory serves, it went like this: "World War II derring-do about a US Army captain who, with the help of a band of scruffy Italian orphans and a sexy German lady doctor, blow up a Nazi-controlled dam against incredible odds. Essentially inane." 

Or am I mixing up two reviews here? Whatever. The only thing I remember for sure from the Parents review are the last two words. That critic, that woman Judith Ripp -- she broke my 11-year-old heart. If that was what the movie was, then my love for Tekko (and Silvio... and Carlo...and...and...) was essentially inane too. And then I thought, What the hell. That's her opinion. It's not mine!! And thus, the first stirrings of rebellion against adult morality and conventional good taste. 

2. About the movie